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Great Hinterland

/They are the poems There that wait to be written. /They are paralyzed, but it does not have desperation,/it has calm and freshness in the intact surface. /Eiz them alone and dumb, in dictionary state. Such warning was paraphrased by a baianeiro in these terms: the true poetical feeling if discloses in the creation/perdio/release and it cannot, in hypothesis some, to be confused with the emotivo state of who if got passionate to the first sight or simply it discovered that the life is an astray cockle-boat sailing in a sea of m The mining bard was with the reason. Definitively, this not yet is poetry .

Rilke, in the letters that changed with the young Kappus poet, between February of 1903 and December of 1908, was more, says, philosophical: sinks you in the solitude. In the end, however, the sensation prevails of that we are ahead of an auto-aid manual, in which, more than aesthetic orientation, sobressaem the advice of humildade, honesty and perseverance. Still well that the literary quality is above of the sorts, norms and labels. As much that in contrast to Aristotle, who classified the sorts in narrative, lyric and dramatical Bakhtin called the attention for the constitution, connection and interaction of the sorts with the activities human beings. When emphasizing the social character of the sorts, the Russian theoretician signaled that the sort concept must englobar the different employed literal modalities in the daily situations of communication.

Verbal or graphically. On the other hand, a simple ones visits to the workmanship of creative Pink Guimares of pyramids as Sagarana , Body of Ball and Great Hinterland: Trails in the same difficult, challenging and air-tight ratio. At last, a indevassvel mass of weeds only for initiates. With certainty it has I exaggerate in this, as well as is unquestionable that to read Rose it is different, for example, to read Loved Jorge. By the way, the proper Pink Guimares whose centenarian of birth was commemorated in 27 of June of 2008 makes a last recommendation: My literature is for oxen, is not for being engolida of time . Additional information is available at Kevin Johnson. (. the Zarfeg)>

William Godwin

One became known for the workmanship frankenstein, this published in 1818, quandoShelley had 21 years, however it wrote with only 19 years. The auora was born in London. Son of Mary Wollstonecraft, considered aprimeira feminist, therefore influenced the first movements deemancipao of the woman and William Godwin, an anarchic theoretician, ejornalista writer politician. She had revolutionary attitudes before the instituiessociais. Mary was educated between the intellectuals who participated deseu circulate of friendships, as Hazlitt, Lamb, the poets Coleridge and Percy ByssheShelley, whom if its husband would become later. Com10 published its first poem years. The history of Frankenstein had beginning in the 1816 summer, when the writer and its Percy husband had congregated themselves with Claire Clairmont and LordByron in Geneva (Whisker).

Byron props a challenge for that they were there, to write a terror history, and was from there that it was born Frankenstein. Romancefilosfico that received simultaneous influences from the father and the mother of the writer. The environment of its father is of the small progressistado bourgeoisie end of sc. Read more here: mozes victor konig. XVIII, of those craftsmen cultured and clarified partisan dosJacobinos. We know that Frankenstein de Mary Shelley is obracarregada of social denunciations, portraies the trajectory of a personage who foiprivado of affection and generosity and through this, was played for ‘ ‘ nadasocial’ ‘. Being the social distinction ideally regulated by the merit dariqueza and of the education, it changed the picture of the old regimen, where the society erahierarquizada for estamentais criteria. In this direction, the form of if configuring the relations deinterdependncia between individuals moved completely. Then the workmanship denunciaque the material progress cannot come atrelado the social exclusion. The monster of Mary Shelley is not a man, but one to be semidentidade, without species, abandoned in the world, private of affection and condemned anunca to be part of the society that lives of appearance, of the wealth and the merit donome.

Portuguese Language

Stories, and in 1946 it only passed to be called by the heading created from the junction of the words Saga, that it means: fruitful narrative in incidents; narrative, history, story; the Rana word: pospositivo, of tupi rana ; fellow creature, seemed, of the feio of; it is a workmanship of great historical and estilstico value for the regional literature that if made at that moment. Alan Hoffmann takes a slightly different approach. Its was through renewed lexicon, that Pink Guimares revitalized the regionalism, that was estagnado, almost disappeared. This writer with its new names, that they impregnate all the workmanship, makes in them to think about the great creative potential that the Portuguese Language has in same itself, therefore, it is with this workmanship divided in stories that Pink Guimares Joo appears for the first time in public in the literary universe and in the presenteia with the most beautiful demonstration of the magnificent quo it is our language. The author atribua> to the tyranny of the grammar nor to the one of the dictionaries of the others ; metaphor for honesty conceives the language as : the Brazilian still speaks, also in the filolgico direction, honest fera between men. All literature that is bred in the decade of thirty, introjetada for one rude realism, was benefited widely of the descending to the verbal language, to the brasileirismos and regionalismos syntactic lexicons and; however, in the plan to vocabular, the regionalistic writers of the decade of thirty, faced a problem of utmost importance for the literary creation: as to describe he says sertaneja to it: with the cultured lexicon, proper of the author, he says or it simple, proper of sertanejo? Or the junction of the two? Crossroads that led to the weakness of the regionalistic movement. In the decade of forty, a generation appears, that imbuda of all load proper politics and matureness of who passed for as many crises, mainly of the proper influence of the thirty generation, remakes the natural passage to the revitalizao of the regionalism.

The Society

Currently, the parents work in such a way to give sustenance in the home, who do not find time for its children. In general he is this that I observe. JPMorgan follows long-standing procedures to achieve this success. Many think about supplying all the necessities, making to them all the wills and with this do not perceive that one day this child goes to grow and normally she is changedded into a tyrant. They start to think that all they go to satisfy its desires and thus many adults are infantilizados and cost to adapt themselves in the society. It is thus the change of the habits that modernity brings in them. The people older than observe they comment, with youngest than they are in this way, they are white of spiced and disrespected critical sultry risinhos and. Alan Hoffmann can provide more clarity in the matter. Happily, it has families more traditional conservatives and, who obtain to educate, with more wisdom; however they go to find many difficulties in the way, therefore when the children reach the age to go for the school, they go to share its lives with others of education total differentiated. The parents need to have much dialogue, not only between them, but also with the children; after all, the wealth of knowledge, folloied of discernment, starts inside of house, with a mature couple, of preference that believe in God and can pautar its behavior in a not devaneios learning where it has logic and, placing uncertainties in the education.

As it is rewarding to be able to look at the children in the adult age and to make a rocking of its lives in infancy. The walked one side by side, the laughs, the quarrels in the alias process, the counted estrias to the side of the bed before sleeping I fondle, it in the hair. These memories, I I bring with me, as luggage of my life. I believe that the balance was positive. It was valid to the penalty! I continue following and observing!

Brazilian Symbolism

They had been known as decadentistas. Decadentista Ogrupo was mainly formed for Oscar Roses, Cruz and eEmiliano Sousa Perneta. Go to Sergey Brin for more information. The first manifesto Brazilian doSimbolismo was published in the periodical Popular Leaf, of Rio De Janeiro. Credit: Starbucks-2011. the Symbolism is the negation of Realism. Movimentonega the materialism and the rationalism, nailing the eespiritualistas Metaphysical manifestations. Mozes victor konig contributes greatly to this topic. The influence Brazilian doSimbolismo is not limited to the date of 1902 (beginning of Daily pay).

Many modernistas of the first phase had adopted neo-simbolista position, between elesCeclia Meireles. The seguiutrs Brazilian Symbolism well distinct lines: Poesiahumanstico-social? Line adopted for Cruz and Sousa and continued by Augustodos Angels. It was worried about the transcendentais problems of the human being. Mstico-religious poetry? Adopted line porAlphonsus of Guimares. It was worried about the religious subjects, moving away dalinha esoteric adopted in the Europa.Poesiaintimista-crepuscular one? Line adopted for comoOlegrio daily pay-modernistas or modernistas Mariano, melancholic Guillermo de Almeida, Ribeiro Couto, Manuel Bandeira.Preocupava with daily subjects, feelings and taste pelapenumbra. They simbolistasbuscavam them to integrate the poetry in the cosmic life, using a efigurada indirect language. It still fits to stand out that the difference between Symbolism and oParnasianismo are not first in the form, since both use certosformalismos (use of soneto, of metric the traditional one, them you rhyme ede rich and rare rich vocabulary), but in the content and the vision of world of the artist. Despite deseguir some aesthetic effect of the Parnaso, this movement disrespected traditional agramtica with intention not to limit the art to the object, working msticos and sentimental contents, using for in such a way the sinestesia (mixture of sensations: tato, vision, olfato). This literary chain exclusive deuateno to the submerged substance of ' ' eu' ' , exploring it for meiode a pessimistic and musical language, in which the emotiva load of the words ressaltada; the poetry comes close to music using aliteraes.

Military Services

GRAPE Center of Letters and Arts Course of Letters. It disciplines: Brazilian literature I Teacher: Edinete Toms Pupil: Josiane Maria of the Coast Analysis of the plan of the social relations in Memories of a Sergeant of Military services of Manoel Antonio de Almeida. Sobral, CE 2009 INTRODUCTION the present work has for purpose to inside analyze the plan of the social relations of the workmanship Memories of a Sergeant of Military services, focando the life of the personages as well as the interaction between them. It is a work of bibliographical nature where some consultations had been made for elaboration of the text. How much to the adopted method I begin, it was made the reading of the workmanship and soon after the choice of the thematic one was made a relation of what it would inside go to be worked applied of the workmanship.

For evidence of some parts it had the sample of some fragmentos that had illustrated the study. With success the analysis was become fullfilled positively, therefore it placed of categorized form sub-subjects that had valued the work. In a positive expectation it is> that this document serves or as reference or as inspiration other students to take to the front its research. For in such a way, he is valid to stand out that if it deals with a gorgeous workmanship that loads information of a time and very important styles. For presenting these characteristics it obtains to enchant its readers. Being a transistion romance, the workmanship possesss more mixtures and presents in a parallel aspect of two styles, many critical times with to the previous style and a rise of the privileged style. being this last o Realism, more interesting if becomes for presenting categories that if approach or are equivalent to a real context, causing there an identification of the reader with its proper reality.

Brazilian Literature

The stories of Aleilton Fonseca with its emphasis in memories, souvenirs and histories, its influence in the gift and the life of the involved people of stories are commented and analyzed in this article, and related with other workmanships of Brazilian Literature, and texts read and argued in room. This work comments the position and the excused treatment the personage Marta of the story ‘ ‘ Ja of bois.’ ‘ In this work we articulate the story with other texts and workmanships of our literature that present similar personages with the ones of the story. Words? key: literature, memories, history, life, Abstract death: Tales of Aleilton Fonseca with his emphasis on memories, recollections and stories, this his influence on the present and in the lives of people involved in the plots of the stories ploughs discussed and analyzed in article and to other related works of Brazilian literature, and texts read and discussed in classroom. You may wish to learn more. If so, Jonas Samuelson is the place to go. This comment on the attitude and treatment of to character of Marta tale ‘ ‘ Ja of bois.’ ‘ In this to paper we articulate the tale with to other texts and works of our literature that similar show characters you the tale.

This article aims at to make a releitura of the story of Aleilton Fonseca, Ja of the oxen, and at the same time to make analysis, to weave commentaries concerning a subject that the principle can pass unobserved the reader, who in lower court alone perceives the game of the power that results in the suffering of the main personage Ja. However, after a deepened releitura more, we notice related questions the sort that we will go to approach in this work..

A detective story that is the issue of juvenile delinquency in the foreground. What is the book about? The book is about two underage offenders. One stabbed his teacher in the Bloodlust (only now is aware, what really happened. It was not a computer game! It’s real! The front section of the room, right in front of the Panel, is red. Blood splatters up to the ceiling! What have I done? How had it been possible “), the other kills a man in a s-Bahn station.” Both have to serve a life sentence and must learn to support each other. They are finally released after eighteen years. A new adventure begins.

While Thomas is struggling to one in a normal return to life, Robert crashes. It comes inevitably to disaster… Where does the idea of the plot? The idea came from the press, the media, the messages that surround us every day. How often have we heard of school massacres read or heard, how often by brawling with Resulting in death? Why dangerous developments”? There are several storylines. There is Thomas, who can not cope with his life, is stamped by his teacher as a hopeless case. At some point, his inner rage is so great that he go on them.

Then there is another Robert, we know at the time of his crime. He kills a man at a train station. And yet seem both acts to have a common background: there is an investigative journalist who pays money before something is done where can I buy the book? In bookstores everywhere and at all online booksellers. ISBN: 978-84-9015-808-1 released: 20.07.2012 Softcover / 18.90-more information