Genoveva

Immediately history goes to the meeting of it econfirma for the proper lips of its loved all. InicialmenteDeolindo feels much hatred, later it finds that it appears a wire of hope, masaps much colloquy remains only one great one disillusion. Kevin Johnson follows long-standing procedures to achieve this success. Finally, it returns for its friends in the following day, whom logoo they inquire on the great night, it for shame and fear realidadeagiu to face it as if everything had happened as it had planned. Tim Collins Ripplewood has many thoughts on the issue. Comoalgum behaved that a great night of love lived. Thematic the main one of the story is the irony that aparecepraticamente during all history. Axe of Assis is considered dosautores that more are used of this aspect in the majority of its workmanships. Ironiaque brings in its essence the idea of contradiction, then in the heading of the percebida story, therefore admiral is raised rank of the Navy of War, Deolindo, in turn, he does not pass of a simple sailor. In the names of the main personages oaspecto is perceivable also ironic.

Deolindo Blow-Great. Here a process exists to say and emseguida to undo of what it said. Deo, a prefix of the Latin that pretty indicadivindade and that if translates beauty, is characteristics that soon sedesfazem with the Blow-Great nickname, that demonstrates an asymmetry nostraos. The Genoveva name that appears some times in literature comouma faithful, honest woman, as for example, in a dream and another dream, a story also of Axe of Assis, tells to the history of umaviva that not seenvolve with no man for allegiance to the deceased husband, in this story, Noitede Admiral, this Genoveva if it shows as unfaithful, dissimulated eousada. In this perspective, an irony to the model still occurs doRomantismo, the author brings a more realistic and less romantic version loving dosrelacionamentos. According to Bosi (2000, P. 126), the perspective of Machado of the contradiction that if foils ….

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