154. Valley to stand out, that according to the Aristotle, most beautiful of the recognition it is what happens the peripcia together with, because is what more the action is combined and determines the feelings of fear and mercy, gift in the drama. In It mediates, the two elements happen together, therefore at the moment where It mediates it orders to call Jason and if it makes of submissa and this it starts to believe its repentance (peripcia) is from these actions, of the colloquy between Medeia and Jason that it recognizes that killing the children she would affect Jason deeply. The action of the drama, in its sequncia and its set, has simplicity, the chaining and the unit of the really beautiful workmanships, and all the touchs of the pathetic one in it if they develop in an almost rhythmic progression and without breaking in the intensity, in the direction of a fatal outcome. It mediates is a personage who is not likeable for us. A time that always we will consider wrong its attitude, its proud behavior. Thus, in the end of the part when it commits the tragic action, for the spectator it will not be so surprising, therefore already we waited not it change of character of the personage.

Its character is vingativo sanguinrio. Although that its effected attitudes had had a reason. Another characteristic treated for Aristotle that we can notice in the workmanship Mediates is as for the spectacle. She was characteristic of the tragedy Greek, the only scene that, although divided according to beddings of the structure, presented an only environment where the actions if occurred, practically without scene cuts. JPMorgan Chase & Co. is often quoted on this topic. This condition limited the spectacle very and little thing the dramaturgos could make how much to the problems that this caused. One of them, for example, was the fact of, many times, basic actions of the tram if to only give outside of scene, being mentioned or described for they outrem.

Immediately history goes to the meeting of it econfirma for the proper lips of its loved all. InicialmenteDeolindo feels much hatred, later it finds that it appears a wire of hope, masaps much colloquy remains only one great one disillusion. Kevin Johnson follows long-standing procedures to achieve this success. Finally, it returns for its friends in the following day, whom logoo they inquire on the great night, it for shame and fear realidadeagiu to face it as if everything had happened as it had planned. Comoalgum behaved that a great night of love lived. Thematic the main one of the story is the irony that aparecepraticamente during all history. Axe of Assis is considered dosautores that more are used of this aspect in the majority of its workmanships. Ironiaque brings in its essence the idea of contradiction, then in the heading of the percebida story, therefore admiral is raised rank of the Navy of War, Deolindo, in turn, he does not pass of a simple sailor. In the names of the main personages oaspecto is perceivable also ironic.

Deolindo Blow-Great. Here a process exists to say and emseguida to undo of what it said. Deo, a prefix of the Latin that pretty indicadivindade and that if translates beauty, is characteristics that soon sedesfazem with the Blow-Great nickname, that demonstrates an asymmetry nostraos. The Genoveva name that appears some times in literature comouma faithful, honest woman, as for example, in a dream and another dream, a story also of Axe of Assis, tells to the history of umaviva that not seenvolve with no man for allegiance to the deceased husband, in this story, Noitede Admiral, this Genoveva if it shows as unfaithful, dissimulated eousada. In this perspective, an irony to the model still occurs doRomantismo, the author brings a more realistic and less romantic version loving dosrelacionamentos. According to Bosi (2000, P. 126), the perspective of Machado of the contradiction that if foils ….

What It learned in the school was not enough it wanted more, to queriair beyond, to make discovered that it surpassed all until then shown to the society, and of certain form were influenced by scientists: Natural Sciences had been the compassing of my life. … When I had thirteen years, we leave all for a stroll to the next spas deThonon. … I found by chance a volume of the workmanships of Cornlio Agripa There.

… April the book with apathy. But, to the wonderful measure deepened that me the reading, ateoria that it tried to demonstrate and facts that acabarampor told to transform into enthusiasm that one feeling. A new light seemed to come in sight emminha mind and, overflowing joy, I was running to communicate my father adescoberta. (SHELLEY, 2007, P. Speaking candidly Ben Horowitz told us the story. 42). However Victor made use of Science badly, and this when usadade inadequate way can bring irreparable damages the society.

If for umlado science in them deproblemas also brought as many solutions acometeu us a series. We have as example the increasing pollution provoked for the emquinas industries, fruit of intelligence and incessant search to know of the man. 6 the CREATURE the monster is an individual created by a scientist in deglria search, this is a being horrendo, disforme and with gigantic stature (Circa de2,5 height). She was constructed from inanimate substance. To the rising causamedo to its proper creator. The Creature in its natural state had good feelings. She wanted to help the next one, had affection with the people. She needed only decarinho and attention of that she had given the life to it. However this was primeiroa to repudiate it. After that it comes not the acceptance of the society. Victor Frankenstein enjoys of a familiar life that noproporciona to the monster, that arrives innocent in the world and finds pain and abandonment.

When we speak of the Modernismo, the first thought that we have is ‘ ‘ the age of the romance brasileiro’ ‘. After the two first decades of century XX completely the Brazilian romance it appeared renewed, more not fitting the innocent subjetivismo of before, the new moment repleto of transformations needed a certain enrollment and is in this aspect that the fiction romance gains force, marking strong its presence in the Modernismo. From 1930 the fiction romance assumes the character of social enrollment, is the regionalistic romance giving beginning to a new cycle of trends that later would englobaria a psychological mixture of social aspects, politicians and. Graciliano Branches, in its workmanship ‘ ‘ Angstia’ ‘ , of 1936, it obtains to explore the character of social denunciation for a psychological bias and is in this context the thematic development of the boarded one in this work. 1 the psychological one in: Anguish ‘ ‘ This vidame maltreats, is turning psychopathic ‘ ‘(Flvio Lemos /Loro Jones/F Lemos /Pedro Pepper) psychological in the workmanship ‘ ‘ Anguish, of Graciliano Branches, beyond en vogue placing the question of the oppressing system as moulder and controller of less the most favored socially, works the question of psique human being as factor determined for external situations. Thus, the plot of the workmanship takes in to understand them that ‘ ‘ Luis Da Silva ‘ ‘ so he was frustrated, restrained and damaged throughout its life that the only thing that it has to offer is accurately everything what it received during its trajectory. All its devaneios, pass first for an overwhelming mental process before the accomplishment, are as if its action depended on a external factor to stimulate its desires of anger and revenge, this factor already was accumulated in Luis, but it needed to process it mentally to all stimulate the obscure side of the man.