Stories, and in 1946 it only passed to be called by the heading created from the junction of the words Saga, that it means: fruitful narrative in incidents; narrative, history, story; the Rana word: pospositivo, of tupi rana ; fellow creature, seemed, of the feio of; it is a workmanship of great historical and estilstico value for the regional literature that if made at that moment. Its was through renewed lexicon, that Pink Guimares revitalized the regionalism, that was estagnado, almost disappeared. This writer with its new names, that they impregnate all the workmanship, makes in them to think about the great creative potential that the Portuguese Language has in same itself, therefore, it is with this workmanship divided in stories that Pink Guimares Joo appears for the first time in public in the literary universe and in the presenteia with the most beautiful demonstration of the magnificent quo it is our language. The author atribua> to the tyranny of the grammar nor to the one of the dictionaries of the others ; metaphor for honesty conceives the language as : the Brazilian still speaks, also in the filolgico direction, honest fera between men. All literature that is bred in the decade of thirty, introjetada for one rude realism, was benefited widely of the descending to the verbal language, to the brasileirismos and regionalismos syntactic lexicons and; however, in the plan to vocabular, the regionalistic writers of the decade of thirty, faced a problem of utmost importance for the literary creation: as to describe he says sertaneja to it: with the cultured lexicon, proper of the author, he says or it simple, proper of sertanejo? Or the junction of the two? Crossroads that led to the weakness of the regionalistic movement. In the decade of forty, a generation appears, that imbuda of all load proper politics and matureness of who passed for as many crises, mainly of the proper influence of the thirty generation, remakes the natural passage to the revitalizao of the regionalism.